Best Carnaval Roles

As Brazilians like to say, New Year's Eve is the first cry of Carnaval. From January until the day of the parade, Canavalescos, Carnaval participants, rehearse, work on tan lines, and get ready for the special day. It is, after all, one of the largest competitions in Rio de Janeiro. The winning samba school not only gets the prestige of being the best samba school in Rio but also a significant cash prize.

But really, what is Carnaval without the amazing costumes? Below are photos of my favorite outfits and roles.

Porta Bandeira and Mestre de Sala. This is one of the most prestigious positions a samba school member can have. PB and MdS have the honor of carrying the school's flag, and unlike other parade members, there is only one male and one female PB and MdS for the whole school. The coveted position is often passed down from generation to generation, staying within the family for years.

Madrinha da Bateria (Godmother of the Band). The MdB holds one of the most glamorous positions in a samba school. Throughout the parade, she marches down the Sambodromo, the designated parade street, in front of the band. Her job, in addition to looking fab, is to excite the crown and dance her ass off. Since all eyes are on her, the pressure is on to look amazing in ever way.

Baianas. I love the role of the baianas. Normally, B are older women who have been members of the samba school for years. They are dedicated members who, behind the scenes, do most of the sewing and costume making for other members. Though the costumes are typically long skirts, each year, costume designer incorporate new designs, colors, and accessories that make the costume beautiful and glamorous.

Globeleza. Yeas ago, Globo, Brazil's top television network, began hosting competitions in search of someone who would serve as the face of Carnaval. For 10 years, Valeria Valencia held the position. Today, Globo hosts a yearly competition to find the right woman. She, in nothing but body paint, appears in commercials that promote the parade and remind me why I need to eat more brown rice and broccoli.

Maria Souza: A Dancer, Friend, and Teacher

Maria Souza: queen of Carnaval and Aquarela's founder, manager, and dancer. Around the holiday season, Aquarela begins preparing for the San Francisco Carnaval Ball. We brainstorm costume ideas, rehearse old and new choreographies, and begin our beauty regime—brown rice and broccoli--tasty! For us, the SF Ball is one of the top shows of the year and we LOVE it!!

However, this coming ball is going to be very different for me. Since I am currently in grad school and pregnant, I have not attended rehearsals. I’m out of the loop and I hate it because rehearsals are more than just a time to dance and rehearse. It’s my time to bond with some of my closest friends.

Aquarela is like a second family with Maria Souza as the mother. For the past 25 years, Maria Souza has led Aquarela Dance Ensemble. During this time, she has been a fellow dancer, friend, critic, and mother. She taught me how to dance, make costumes, and build the confidence that I have today. In simple terms, Maria has been one of the most important people in my life. She truly is an amazing woman.

To show my gratitude, I've included some of Aquarela's best moments?

The beginning. Warning! The costumes are outdated but still fabulous. Plus, Maria's white feather costume is to die for.

Carnaval Parade

Silvana: Choreographer, organizer, dancer, and friend. Micaela: Organizer, dancer, and friend. Akiva: Organizer, dancer, and friend.
Dominique: Dancer, friend, and the baby of the group :)
Molly: Dancer, friend, and clown. Yes, a professional clown!

Rehearsals

As anyone in a dance group knows, there is a great deal of prep work before a show. Dancers work on costumes, lighting needs to be arranged, choreographic need to be created, and rehearsals need to take place. Yes, rehearsals!!!

Every Thursday, my group meets for its weekly rehearsal. It is during our meeting that we learn the latest choreographies, review old choreographies, prepare for shows, and more. However, it is during rehearsals that I am reminded of the care and love I have for my group members. It was during rehearsal that I told my best friends of my pregnancy and the purchase of my new home. In between choreographies, a fellow dancer and friend explained the process of raising chickens in her own backyard (She lives in Berkeley, so raising chickens is acceptable and encouraged!). To us, rehearsal is a time during the week, in which we as friends share the triumphs, struggles, and make our busy lives more enjoyable.

In many ways rehearsal is like happy hour at a bar. Though we don't have drinks to inspire us to open up and share, we have loud music and a whole lot of energy!